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Event Choice: Maximizing KONTACT for Composers, NYC, 3/27

Ready to make deeper contact with the KONTAKT soft synth – and two in-demand composers while you’re at it? Then join the Society of Composers & Lyricists (SCL) this Wednesday, March 27, from 7-9...

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“Sound Business”: Meet Pralaya Productions — Composing and Sound Design,...

There are a million things you can do. This is just a rough sketch of my thinking for one particular track. You shouldn’t be afraid to experiment. Just make sure it’s all very cohesive and natural....

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Sample Logic Releases Thunder Springs – Hybrid Percussion Virtual Instrument

Sample Logic is a company who’s aims to develop “cutting-edge virtual instruments that ‘blur the line between music and sound design.'” They have clearly met their own expectations with the release of...

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Composer Jóhann Jóhannsson — On Scoring “The Theory of Everything,” Abbey...

Jóhann Jóhannsson is on a roll – of a different sort. The circular motion of the imagery in the brilliant film that he scored, The Theory of Everything, inspired the spherical structures of the...

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Film Scoring and the Studio: Three Secrets to Outstanding Strings

“You’ll see that for the highest (G4) and lowest (G3) samples, I have dragged them two additional octaves. This transposes the samples drastically, and often times creates distinct and intriguing —...

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